The Complete Stories

Winner of the National Book Award The publication of this extraordinary volume firmly established Flannery O Connor s monumental contribution to American fiction There are thirty one stories here in all, including twelve that do not appear in the only two story collections O Connor put together in her short lifetimeEverything That Rises Must Converge and A Good Man Is HaWinner of the National Book AwardThe publication of this extraordinary volume firmly established Flannery O Connor s monumental contribution to American fiction There are thirty one stories here in all, including twelve that do not appear in the only two story collections O Connor put together in her short lifetime Everything That Rises Must Converge and A Good Man Is Hard to Find O Connor published her first story, The Geranium, in 1946, while she was working on her master s degree at the University of Iowa Arranged chronologically, this collection shows that her last story, Judgement Day sent to her publisher shortly before her death is a brilliantly rewritten and transfigured version of The Geranium Taken together, these stories reveal a lively, penetrating talent that has given us some of the most powerful and disturbing fiction of the twentieth century Also included is an introduction by O Connor s longtime editor and friend, Robert Giroux.
The Complete Stories Winner of the National Book Award The publication of this extraordinary volume firmly established Flannery O Connor s monumental contribution to American fiction There are thirty one stories here in a

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  1. The stories in this collection were written by an unassuming yet serious Catholic woman from Georgia who, after devoting her short life to writing, died of lupus in 1964. Besides the stories, she had written two novels and started a third; one can only speculate what other masterpieces she would have written had she lived longer.The stories are hard-bitten, bizarre and haunting. Two that I read years ago in college have stuck with me and are just as jarring today as they were then. O'Connor's th [...]

  2. I feel like I've just been to school. (That's a good thing.) I read each of these 31 stories - a compilation of both A Good Man is Hard to Find and Other Stories and Everything That Rises Must Converge: Stories, as well as 12 other stories, 6 of which made up her master's thesis at the University of Iowa - slowly, only a few a day. I took notes as I was going and read as much analysis as I could on each story. What an experience, to immerse myself in this author's life work.It's a dark place to [...]

  3. "Listen here," he hissed, "I don't care if he's good or not. He ain't right!A Stroke of Good Fortune. The Life You Save May Be Your Own. The River. The Displaced Person. A View of the Woods. The Lame Shall Enter First. Two of these are contained within Everything That Rises Must Converge. A Good Man is Hard to Find and Other Stories has the other four. Neither one would have done as much good in my estimation as the works in toto. Key word my.Flannery O'Connor was an author whose name seeped int [...]

  4. Since I won't be reading this collection straight through, I figured I'd rate the first 15 stories that I have read. Except for one here or there in anthologies, this is my first time reading her short stories and I can't believe it took me this long to get to her. They are amazingly good. April 29, 2009*April 3, 2016Now I can't believe it took me seven years to get back to this volume, except for recognizing that O'Connor's unflinching worldview isn't always a lure and, of course, the main excu [...]

  5. In February 1948, Flannery O'Connor, a graduate of the MFA program at the University of Iowa, was twenty-three years old and eager to please the publishing industry with the beginning chapters of a novel-in-progress titled Wise Blood. A letter O'Connor received from one such publisher was not receptive. He commended her for being a straight-shooter and added that she was gifted, but with a loneliness in her work, as if she were writing simply out of her own experience. O'Connor responded to a fr [...]

  6. In The Geranium, Old Dudley is the proverbial fish-out-of-water, overwhelmed by his environment, regretting his choice to trade familiar small town for a chance to see the Big Apple. To escape the constant onslaught on his senses, he’s fixated on the daily regimen of a neighbor’s geranium, the closest thing to nature, i.e ‘back home’ he’s found. But in a twist comparable to the best of O’Henry, Dudley’s prejudice is revealed by unwelcome kindness from an ‘enemy’ and animosity c [...]

  7. Strange may it seem but I’ve never read anything about Flannery O'Connor and I didn’t know what I should expect so the book was like a lightning strike.“She saw the streak as a vast swinging bridge extending upward from the earth through a field of living fire. Upon it a vast horde of souls were rumbling toward heaven. There were whole companies of whitetrash, clean for the first time in their lives, and bands of black niggers in white robes, and battalions of freaks and lunatics shouting [...]

  8. Why do the heathen rage, and the people imagine a vain thing?I can't imagine what it would have been like to live inside Mary Flannery O'Connor's head, obviously. But I am damned sure it can't have been agreeable. Her world is peopled with monsters. Damaged, limbs severed. Afflicted. Not whole. Children like evil spirits that descend on the sanctimonious. Parents that neglect, or beat their children. Bigots. The cruel and the feckless and the randomly murderous. Their names are monstrous too. Mr [...]

  9. This is one of O'Connor's first short stories, originally published in 1948, and used again in her acclaimed collection "The Complete Stories", published in 1971.

  10. One of my 2014 reading goals was to read Flannery O'Connor. It got to be Christmas 2014 and I hadn't touched her, so I have binge read all of her stories in just a few days.It might not be the best way to do it, but some of the repeated events and themes - death, guilt, resistance to chance, issues with religion - start to become comical when repeated at such rapid frequency.And laughter is appropriate. Flannery O'Connor is not afraid of humor, evidenced by one of the only surviving recordings o [...]

  11. La vita che salviNon si può fuggire alla capacità dei racconti della O'Connor di cambiarti in profondità nel corso di pochi minuti, dentro a quel labirinto eterno e ineffabile di significati implacabili e di fatti primordiali, affilati come lame di pugnali, letali come il veleno di un serpente. La O'Connor ci sospinge al di là del buio, nell'oscurità che non possiamo conoscere; come autrice si trasforma in un destino che ci guida, attraverso le sfide del vivere, le domande senza risposta, l [...]

  12. You know the cliché saying, "the moral of the story is" Flannery O'Connor's stories all seem illustrative of this saying--in a good way. She has a way of using disgruntled characters to showcase social issues of her time. Once you get past the slurs (in most cases the n-word for me) to really read the story and see that she uses such care to highlight realism in her somewhat mystical fiction, so that you get to see the ignorance and shortcomings of her characters, you get it. How she could have [...]

  13. An unforgettable collection of hard-hitting, caustically humorous and unrelentingly cynical stories from perhaps the strongest female voice in Southern U.S. fiction. O’Connor turns her merciless eye on religious hypocrisy, class consciousness, racism, gender roles, familial relationships, and other fertile topics, plowing them for the ugly truths they reveal about the general nature of humankind. Spending time with her characters (all of whom are depressive, delusional, misanthropic, criminal, [...]

  14. Flannery O'Conner (1925-1964) earned a Master of Fine Arts degree in 1947 from the University of Iowa, having attended the well-known writer's workshop at that institution. The first six stories in this volume were submitted as her thesis for her degree under the title 'The Geranium: A Collection of Short Stories.' There are thirty-one stories included here, twelve of which were appearing for the first time in book form, and this collection was published posthumously, winning the National Book A [...]

  15. I've written and thrown out three drafts on why Flannery O'Connor is Great. I won't bother with it again, not for a while.She covers the Grotesque and Sin of Southern life, for some thirty-odd stories. Sin and Grace in a palatable and altering way. Excellent characterization, using the smallest of details and conversations to broaden personality. Like all good short story collections, not to be consumed in one sitting.

  16. Flannery O’connor is an acquired taste. Her tales may not tell a linear story in the commonly accepted sense but her insightful portrayals of quirky characters are unforgettable. 4 1/5 stars.

  17. Anche la terra è dei violenti.Non c'è consolazione in questi diciannove racconti di Flannery O'Connor.La sua è un'umanità derelitta, misera, meschina, emarginata, disgustosa.È difficile provare empatia per qualcuno, ma soprattutto è difficile provare o riuscire a immedesimarsi in uno qualsiasi dei suoi personaggi: uomo o donna, bambino o negro che sia. Dico 'negro' perché questi racconti sono pieni di 'negri', esseri un gradino al di sotto degli esseri umani che si accompagnano all'uomo b [...]

  18. Flannery O'Connor had a lot to be unhappy about. Dying of lupus in backwater Georgia. Or before that, being too-smart and too-ugly growing up in a time when Southern women were supposed to be seen and not heard. Or moving up North and feeling homesick for a place she spent most of her life hating and trying to escape, and them coming back sick and over-educated and feeling more out of place than ever. That stuff would have been hard enough to deal with in itself, but if you're also deeply religi [...]

  19. “A good man is hard to find,” Red Sammy said. “Everything is getting terrible.”Vorrei avere un dottorato in letteratura americana per poter parlare della meravigliosa O’Connor con cognizione di causa, ma purtroppo non è il mio caso. Cinici, tragici, amari, cattivi, violenti, perversi. Se anche solo uno di questi aggettivi stuzzica le vostre corde, avete trovato la raccolta perfetta!La O’Connor non sembra contemplare l’idea di lieto fine e le differenti sorti assegnate ai suoi pers [...]

  20. Before I begin, let me say this: by no means is Flannery O'Conner a bad writer. She knows her quite very well. But there is a major beef I have with her stories: the repetition. Of course, some stories a true gems ("A Good man is Hard to Find", "The River"), but after making my way through about a third of the stories, the same themes started reappearing with the same type of deffiecent characters and the same kinds of endings.That is not to say they aren't enjoyable. I laughed along with some g [...]

  21. I'm trying to get out of my comfort zone this year, and that includes reading some short story collections (which I tend to not be crazy about), and in doing so I'm trying to hit some of the best practitioners (critically) of the form.My biggest complaint about this collection is including O'Connor's early (unpublished before this collection) stuff up front. It makes sense chronologically, but they're weaker than the rest of the collection, and I would have rather read them last (but I'm OCD and [...]

  22. Every one of these stories leaves its main character in a complete sense of doom, but there's more to it than that. There's a spiritual revelation or rebirth in the midst the character's painful stupor. What I love about these endings is that as painful as that character's state of mind is at the end, they're also seeing things more clearly and truthfully than they ever have in their life--and it's undeniably beautiful, no matter how painful the situation happens to be. And boy does she know how [...]

  23. Nei racconti di Flannery O'Connor il vero protagonista è il mistero, l'inspiegabile che si compie nelle diverse manifestazioni della grazia e nelle azioni che i protagonisti decidono di intraprendere o, meglio, nel modo in cui gli stessi scelgono di gestire la nuova consapevolezza in relazione al libero arbitrio. Continua su: scratchbook/2015/09/ra

  24. Come quando l'aria è così tersa da permettere, solo che ci si sollevi un poco, uno sguardo lontano, che abbraccia tutto e con luce vivida e naturale svela i dettagli più nascosti, così è la scrittura di Flannery O'Connor.

  25. Having lived with this collection for almost a year, and having read each story as slowly as possible, in coming to the end I feel I'm now grieving for all that O'Connor never wrote. As Thomas Merton said about Flannery in 1965: "A relentlessly perfect writer, full of tragedy and irony."

  26. July 2009Grim and often occasionally horrifying stories of the South and some of the people who occupy its darkest parts. Slightly repetitive, especially when read too close together--I settled for one story per day, over the course of a month, so it's probably best to take these one at a time. "A Good Man Is Hard to Find" and "Revelation" were especially powerful.

  27. Holy shit. Thomas Merton was right (I'm not surprised, but check it out): 'O'Connor to me will never rank among Hemingway, Porter, good writers like that. O'Connor is more like Sophocles.' After the first eight stories this thing lights on fire. Sifting from A Stroke into Enoch into A Good Man that alone is enough to just be completely blown away. And then there's the fury of twenty more to follow. In fact, A Late Encounter comes next! I've put it down against my will for now because that rare, [...]

  28. "[] I'm the victim. I've always been the victim." ("Greenleaf") Here's the thing: I didn't actually enjoy reading Flannery O'Connor's complete collection of short stories. O'Connor's characters are frustrated, angry, resistant to change, religiously devoted to their customs. Her writing is sparse, full of jolting similes and matter-of-fact dialogue. It's cruel and decisive. It's like quicksand, coming up from under to suffocate you.He wondered if she walked at night and came there ever—came wi [...]

  29. How would you feel if you emptied your garbage can on the floor, searching through the contents for a valuable you were sure was lost there, only to end up with muck on your hands? That's how I felt after reading a collection of the author's short stories.With a few adjustments for technology and history, the characters depicted in story after story are mostly ordinary, modern Americans. In fact, the author's benighted rookery of dim-wits and out-and-out idiots finds its voice today thoughout th [...]

  30. Some readers complain of a repetition of themes in O'Connor, but I think you'll find that repetition in the body of work of many writers as they try to puzzle out and understand what worries them. O'Connor, a devout Catholic in the deeply Protestant Georgia, a highly educated single woman with a chronic and ultimately fatal illness, posessor of a fierce mind, was an outsider in more ways than I can count. Her gender and time (publishing in the 1950s and early 1960s) only emphasize the revolution [...]

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